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These volumes gather together a body of critical sources on the major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.
First published in 1796, Camilla deals with the matrimonial
concerns of a group of young people-Camilla Tyrold and her sisters,
the daughters of a country parson, and their cousin Indiana
Lynmere-and, in particular, with the love affair between Camilla
herself and her eligible suitor, Edgar Mandlebert. The path of true
love, however, is strewn with intrigue, contretemps and
misunderstanding. An enormously popular eighteenth-century novel,
Camilla is touched at many points by the advancing spirit of
romanticism. As in Evelina, Fanny Burney weaves into her novel
strands of light and dark, comic episodes and gothic shudders, and
creates a pattern of social and moral dilemmas which emphasize and
illuminate the gap between generations.
'Lord Orville did me the honour to hand me to the coach, talking all the way of the honour I had done him! O these fashionable people!' Frances Burney's first and most enduringly popular novel is a vivid, satirical, and seductive account of the pleasures and dangers of fashionable life in late eighteenth-century London. As she describes her heroine's entry into society, womanhood and, inevitably, love, Burney exposes the vulnerability of female innocence in an image-conscious and often cruel world where social snobbery and sexual aggression are played out in the public arenas of pleasure-gardens, theatre visits, and balls. But Evelina's innocence also makes her a shrewd commentator on the excesses and absurdities of manners and social ambitions - as well as attracting the attention of the eminently eligible Lord Orville. Evelina, comic and shrewd, is at once a guide to fashionable London, a satirical attack on the new consumerism, an investigation of women's position in the late eighteenth century, and a love story. The new introduction and full notes to this edition help make this richness all the more readily available to a modern reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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